Francisco López is internationally recognized as one of the major figures of the sound art and experimental music scene. For almost forty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from the limits of perception to the most dreadful abyss of sonic power, proposing a blind, profound and transcendental listening, freed from the imperatives of knowledge and open to sensory and spiritual expansion.
He has realized hundreds of concerts, projects with environmental recordings, workshops and sound installations in over seventy countries of the six continents. His extensive catalog of sound pieces (with live and studio collaborations with hundreds of international artists) has been released by nearly 400 record labels / publishers worldwide. He has been awarded four times with honorary mentions at the competition of Ars Electronica Festival and is the recipient of the Qwartz Award 2010 for best sound anthology.
credits
released January 14, 2023
Created at Messor Studios (Madrid) in 1987.
Re-edited and remastered at ‘Hundred Islands Studios’ (Rosclave enclave) in 2022.
A stellar compilation featuring shoegaze and indie favorites like Drowse, Midwife, and Mount Eerie benefitting Project Onward in Chicago. Bandcamp New & Notable May 11, 2023
These two sprawling 20-minute electronic pieces offer both crackling, otherworldly textures and moments of surprising beauty. Bandcamp New & Notable Jan 15, 2023
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose. Bandcamp New & Notable Oct 30, 2022
Another masterful outing by Lopez. Does he ever sleep. From airy stereo scrapes, the same figure turns to metal and then underwater through the artist's deft alchemical interventions. At 23 minutes there are heavenly soft touches, then a sizzling ice capade at 27 minutes. It ends with a wind suite, softly brushing reeds then building to a storm. mikehoolboom